Se plantea un musical invertido donde las canciones añaden el contenido subjetivo que se articula como discurso artístico. Las referencias que se utilizan como base, vienen de su propia cultura musical. Una de las canciones utilizadas en la performance dice así:
A partir de reacciones de no equilibrio, caóticas podemos encontrar una estructura ordenada en una simetría rota. Desde el arte, no podemos mas que inscribir nuestra simetría rota y vivir en el tiempo intensamente. En la arqueología mexicana cada objeto, cada figura, significa algo que a su vez significa otra cosa…
We propose an inverted musical where the songs add subjective content that is articulated as artistic discourse. The references used as basis, come from their own musical culture. One of the songs used in the performance says:
From nonequilibrium reactions, chaotic, we can find an ordered structure in a broken symmetry. From art, we can only enroll our broken symmetry and live in time intensely. In Mexican archeology each object, each figure, means something which itself means another thing ...
We propose an inverted musical where the songs add subjective content that is articulated as artistic discourse. The references used as basis, come from their own musical culture. One of the songs used in the performance says:
From nonequilibrium reactions, chaotic, we can find an ordered structure in a broken symmetry. From art, we can only enroll our broken symmetry and live in time intensely. In Mexican archeology each object, each figure, means something which itself means another thing ...
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| La Presentación II (Artium, Vitoria_Gasteiz 2011) |